Showing posts with label brilliant. Show all posts
Showing posts with label brilliant. Show all posts

Tuesday, 29 October 2013

Reverted "Sputter The Worms"

I am really into this. Do you ever instantly get that feeling where you go “Oh yeah, this is the shit”. No? Well, perhaps you should be listening to Sputter The Worms.


Reverted is a four piece band from London, UK. Underground like most of the greatest bands were, this band is on the hunt for greater things. Listening straight from the off you can feel their inspirations. Slipknot, Korn, Metallica, Tool and I find perhaps even Nine Inch Nails but with less distortion.
“Don’t Try To Steal Me From The Inside”. Firstly what?! Is that possible? This song has a good intro. What I would call a “Get Set and Go” start. One, Two, Three and we’re off. You’ll understand when you listen to it. The point is it’s a good technique that I am personally partial too. I mean “Prison Song”. C’mon. We all agree that it’s awesome. They quickly release the low vocals, the deeper tone that perfectly sets the mood of the band. This contrasts immediately with the melodic rhythm of the guitar and drums. Well paced and with a consistency that is soothing. I promise. This is hard rock.
“Sputter The Worms” has the Nine Inch Nail factor. You take in the intro and I immediately recognise the feel and power of the band. Reverted have really hit such a good intro here. Perfect pace from the guitar that really empowers and controls the song. Tony Vega starts up with his duel lyrics. A touch that is always enjoyed. He consistently sings along with the music and doesn’t steer to far from the pace. This makes is easy to take in lyrics. Other bands spend too much effort having bland lyrics/vocals and try to have as many guitar solos you can fit into four minutes. It’s not a competition guys. Reverted really nail this one on the head. The second half of this song really picks up and makes an unexpected turn that I have enjoyed over and over.
If you could give yourself any job, I mean any job you could think of and you had to give yourself a really awesome job title, what would it be? Mangledonia (Harvester of Sin)? I think this would be pretty awesome to have on a business card. This song is immediately interesting. Immediately I think “where is this going?” and oh look. It’s a place that is awesome. Keeping their style consistent, you can already recognise the familiar feel of what Reverted serve. Great lyrics that have back up and are held at all the right moments. A “Chug” (Scientific Term) that is real head banging material. Heavy through out and music that you can just keep listening too. This song fades out really well at the end. It’s really good.


This next track is my favourite. I believe many would agree with me. “Tolerance” has a real feel to it with its immediate melody. Slowly bringing in the rest of the instruments to give it that build up it deserves. The vocals kick in and you understand what Reverted are about. This track is proof that this band is going places. Heavier than the rest of the tracks on “Sputter the Worms” but with the best mix of melody. It has three speeds that go from slow to medium to fast. It affects the whole song and then the cycle begins over. You’re constantly kept on your toes and each bit that they interest just makes you want more. This track is something special and you should have it. Trust me.
“Die My Saint” has a slow start but quickens up almost instantly. Followed by Tony it just gets better. Keeping the pace, they introduce aspects that haven’t been on the previous tracks. There is also a massive Slipknot connection in this track. The distorted shouting, the repetition of it and the way it affects the mood of the song. This is very inspired. Lyrically this track is my favourite. The words are sharp and in brilliant timing with the hard rock.


             Tony Vega, Ozzy Preciado, Luis L Valle and Daniel Ruiz have formed something brilliant. Consistent throughout this whole album and providing hard rock that just makes you want more. Melodic that mixes perfectly with the overall heavy feel of Reverted. It's daring but they dared and the came out the other side with hard rock that can't be faulted.

Friday, 11 May 2012

Balor's Eye "Lorcan"




Lorcan, crafted by "Balor's Eye" is really something. From Baltimore, Maryland, this progressive metal band is redefining the term "Progressive metal band". Still a new, upcoming band having only formed March 2010, they are quickly making a name for themselves with the help of their label "Dark Harvest Records". One band I want to see go far.

I fell in love with the first track "Pissing Rainbows". Not only is that a side effect of eating too many Skittles, but what a cool track name! The song itself is really good. I wasn't expecting it to be instrumental though. I thought "It's the first track, some bands don't add vocals to the first track" but to my surprise, not a single word was spoken during this album. This is the point I am trying to make though. THIS ALBUM DOESN'T NEED VOCALS! (subtle, I know).

"Door Fuhrer" was an alright track. It was shorter than the rest and as good as it was, It didn't sound like the first one as much as I has hoped. It is still a good listen, but I think the following track is a hell lot better. This song does however, keep a good pace but progressively changes sound 3 to 4 times throughout.

The third track, "Lobotomy Please" is my favourite on this album. For starters, it's a nice long track and if you enjoy the whole thing and not get bored or distracted by butterflies whilst it's playing, then you know you're onto something brilliant. I also found myself thinking back to my point. it's instrumental, yet vocals couldn't keep up and would therefore ruin this fine piece of craftsmanship.

I think this is the point where you go out and buy "Balor's Eye".

The next three tracks which completes the 6 track album, are good. I enjoyed them a lot. I listened to them a few times and defiantly decided they are good. I recommend listening buying the album purely for "Pissing Rainbows" and "Lobotomy Please".

Thursday, 1 March 2012

Bloodtribe “Repulse”



I had never heard of Bloodtribe before I was asked to review them and I have one question. “Why the hell was I not told about them before now?” I was actually a little annoyed by the lack of sharing throughout the metal scene. So, here I am telling you about Bloodtribe, and I assure you, you’re going to want to listen to them.

I was sent the album “Repulse” in the post and was quite excited when I opened my package. I immediately played it and the second it finished, I was already uploading it onto my iPod and throwing it in a playlist with “Bloodbath” and “Cannibal Corpse”. This 5 track E.P. is quite simply astonishing. It has deep growling vocals which, if turned up loud enough, could shake the very foundations in which you stand upon.

With Drew on vocals, Tom and Danny on guitar, Clay drumming and Matt on bass, they have formed a band which could rip the head off your staggering body. Bloodtribe proves that they have practiced and conquered their sound because I can’t help but listen from start to finish whenever I hear them.

The first song on “Repulse” is “Reflections”. My favourite by far and slowly becoming one of the highest played songs I have in my collection. This song is phenomenal. I enjoy the dark intro which introduces the drumming brilliantly. There is no beating around the bush with Drew’s vocal work. He’s straight into the savage vocals and some great, memorable vocals. “Reflection of your imperfections double in numbers as your body decays”. I love this track. Listen to it now or else.

“Manipulated Sexuality” is interesting. The intro contained a lot of symbol work which I wasn’t expecting and didn’t really think much of it. I was then getting into the mind-frame that “Repulse” would only have one decent song. Luckily, I was wrong. This song has some duel vocals with the heavy shouting vocals which we all love, but it also had screaming and strained vocals which was an awesome mix. “Manipulated Sexuality” also contains a great breakdown which I recommend that you indulge yourself in.

The third song is only 2 minutes 20 seconds which I thought was rather short considering how awesome the song is. There is a great opening verse in “A Scar for Every Sin” which is quickly paced and savage. You’ll be aware of the terrific drumming almost immediately. This song is just immense.

“Force Fed Suffering” is pure chaos. 30 seconds in and you can already feel a sense of an evil doom creeping down, past your ear drums to eradicate any happiness which remains in your soul (In a good way). Seriously, this song is the reason why metalheads exist. Pure suffering and brutality awaits those who listen to this. This song is awesome!

The final song on “Repulse” is smart. I like how it includes good imagery and some personification “From the dawn that dies”. This makes it easier to picture and as a result, makes this song memorable. It also contains some contrasting vocals and music to go with it. At one point you’ll have a heavy yet slow style of metal but in a seconds notice, we will be listening to a double bass pedal, quick riffs and a screamo vocal style. Love it!

If you hadn’t noticed, I really enjoyed “Repulse” and all of its content. Pure heavy metal here which I cannot fault. You’ll catch the “Bloodtribe Bug” the second you get into Drew’s vocals. Oh, and there is no cure, so good luck.

Thursday, 2 February 2012

"Shark Bites and Lightning Strikes" by Loss of Reaso


Loss of Reason is a five-member band who are raising the standards of metal everywhere. Ian Tobey/Vocals, Chris Love/Guitar, Clarence Freeman/Guitar, Ryan Ware/Bass, Andrew Hess/ Drums have made an EP, “Shark Bites and Lightning Strikes”, that is astonishing and just plain savage. Their influences vary from “Rage Against The Machine” and “God Forbid” to bands such as “Muse” and “Eric Johnson”.

The opening track, “I’m an F.18, bro”, is a great intro that grabs the attention of the listener and encourages them to continue on. It has an enticing melodic sound that, in partnership with its heavy guitar riffs, gives promise of an epic sounding EP. One track in and I was already suggesting Loss of Reason to friends.

“Party, Jannetty, til the Break of Dawn, Michales” introduces Ian Tobey’s contribution to the band as a brilliant vocalist. With his ability to use clean vocals as well as screamo, he has proven to be an essential part of the band. The song itself drew a picture for me. I can easily imagine myself at the front of a crowd, climbing the barrier with the rest of Loss of Reason’s fans. I can just picture myself moshing with the rest of them and enjoying a great performance.

The following two tracks show off this band’s drumming and guitar techniques as well as the level of skill in which they are played. Loss of Reason is competent when synchronising their instruments with vocals. It really gives this band the credentials to be up there with the best.

This EP has already been put onto my iPod but “Helpful Phil” is the most played song out of the six songs which form “Shark Bites and Lightning Strikes”. I just love this song. Its intro is genius without effort but also introduces breakdowns which cause the listener to unknowingly tap their foot and headbang along.

It is always great to finish on a high, which is exactly what Loss of Reason have accomplished. Kurtrusslecrowe is an epic finish to an epic EP. This track alone shows the potential of this band. They show promise and this is one band which I would love to see live on stage.

This EP, in my opinion, is just overall awesome. I have it mixed into my regularly used playlists. They have joined my “Savage” playlist alongside bands such as All That Remains, Dead By April and Bring Me The Horizon. Loss of Reason is one band I will recommend when asked “Name an awesome metal band with dual vocals.”          

Saturday, 28 January 2012

"Decades" by Saving October


This is Saving October’s first album that has been released. It is a serviceable first album which I enjoyed listening to. They’re a heavy metal band who deal in a mixture of screaming and heavy vocals backed up by the expected chugging riff-age. They have a memorable guitar riff which is suitably heavy and the foundation of most of their songs. They deploy this style of guitar riff often which at first gives the album a dynamic and cohesive feel, but I thought that perhaps they're over reliance on it smacked of playing it safe. This being their first album it is understandable that they may not want to take risks but this does lead to this effort sound over familiar to anyone who is a fan of the genre.

Saving October consists of 5 members Danny Scythes/Lead Vocals, Seth Cordrey/Guitar, Ross Elliot/Guitar Zane Maxwell/Bass and Patrick Liberatore/Drums. There have been a few switches with band members since they begun in 2009, but all of the members have live show and recording experience. The band has written two EP’s, “Cut your Losses” and “Hail the Captain”. Decades is their first full album that screamo band has produced.

“Striking an Artery” has to be my favourite song on their album. It’s intro is melodic which stood out from the rest of their album. It has Saving October’s preferred riff present and correct within the song but I found that the contrast between it and the melodic side really made this song brilliant.

Another stand out track is “Roger Rabbit What’s Your Habit?” With its double bass and duel vocals this song really kicks the album off and sets out Saving October's stall early. Lyrics like “I need you like I needed sleep” really stood out in this song. They gave out some emotion which worked well with the gloomy guitar, which lasts throughout the song.

Most of Saving October’s song are similar. They all sound the quite similar with one or two standing out tracks, as mentioned. If you enjoy their style of music (Which I do), then there is not an issue, but others may criticise this and be put off. “Infamous” is one that, even though it sounds similar to the others, is a song that can be recognised. Apart from the vocal style, I felt like I could be listening to Pantera. I enjoyed this track because the guitarist and drummer sync. It sounds epic. I highly recommend this song.

Another thing I found with “Decades” is they have a intro and an outro. If you listen to the album from start to finish then you’ll get to enjoy it more. I like the way the radio broadcast bookends the album pulls it together. I am not sure of the broadcast itself, but the fact that the style is there at the beginning and end means that I earns a few bonus points.

“Decades” is an enjoyable album, not a masterpiece, but defiantly a starting point for a band which I would like to see a lot more from. I hope that “Dark Harvest Records” have plans for Saving October.

You can listen to “Decades” by Saving October at http://itunes.apple.com/us/album/decades/id494464869

Thursday, 7 April 2011

Slipknot



There is one band that will always hold a special place in my heart.

Slipknot is the band that got me interested in metal. Corey Taylor's vocals are inspiring and I love the difference between songs. For example, "People=Shit (Iowa)" is a bit more violent than "Vermillion Part Two (Vol. 3)", yet I find he does both perfectly well. They have released four brilliant albums "Slipknot", "Iowa", "Vol. 3 (The Subliminal Verses)" and their latest "All Hope Is Gone". They also released a demo album called "Mate, Feed, Kill, Repeat." I have yet to find words to describe how they have influenced me.

Between these four albums and a demo, they have created some brilliant tracks. I could go through them all but that would take a while and as this blog in mostly my opinion, I'd end up naming every song. We wouldn't want that now. So instead I'll do my best and narrow it into the top 3 in hope to make a guide for people slowly evolving into a "Maggot"(Slipknot Fan).

1. Spit It Out: Firstly, imagine this song on karaoke. Good luck to that guy! Secondly, It's the most unique Slipknot song (In my opinion), because Corey Taylor almost raps. It is so quickly spoken that I did look up the lyrics. It is 2 minutes and 39 seconds of pure brutality. It stops me in my tracks and I can't help but smile, shortly followed by a rather quick headbang. If I were to play one song to someone who was on the verg of becoming a metal head and I had to choose a song to complete their journey, it wouldn't be this one. You can't skip straight to the best track with Slipknot. You have to earn it, so I'd show them number 2.

2. (Sic): This song pretty much is what it says on the tin, SICK! This is an epic song with lyrics such as "Fuck this shit, I'm sick of it, you're going down, this is a war" (Need to change my pants due to epicness). It's quite a simple song with some brilliant vocals, amazing drumming and guitar. This song has earned it's way into my good book. I can't help but want to break something. This is quite a heavy song, but most enjoyable. If you want to know what Slipknot are about, listen to (Sic)!

3. Before I Forget: This actually won an award in 2004 in our mainstream society. Metal music has a tendency to avoid or not be played on the radio (Due to a high amount of "foul language") This track has powerful words which make me think of the basics, what we are, underneath the skin. I may be looking into it too much, but this song makes me think. I also get to enjoy a catchy riff and a great chorus! If I had the power, babies would have to listen to this upon arrival. "Out the womb, wash, towel, Slipknot, food, sleep, nappy change!"

I am a Slipknot fan as you may have noticed, but I believe that their words are stronger than mine. I recommend a listen. I actually have the Slipknot "S" tattooed on my arm. I wouldn't go that far without buying all the albums first. If you do enjoy them, hopefully you'll be joining me at "Sonisphere 2011, http://uk.sonispherefestivals.com" to see them on the Sunday. See you there