Balor's Eye "Lorcan"

Lorcan, crafted by "Balor's Eye" is really something. From Baltimore, Maryland, this progressive metal band is redefining the term "Progressive metal band". Still a new, upcoming band having only formed March 2010, they are quickly making a name for themselves with the help of their label "Dark Harvest Records". One band I want to see go far.

I fell in love with the first track "Pissing Rainbows". Not only is that a side effect of eating too many Skittles, but what a cool track name! The song itself is really good. I wasn't expecting it to be instrumental though. I thought "It's the first track, some bands don't add vocals to the first track" but to my surprise, not a single word was spoken during this album. This is the point I am trying to make though. THIS ALBUM DOESN'T NEED VOCALS! (subtle, I know).

"Door Fuhrer" was an alright track. It was shorter than the rest and as good as it was, It didn't sound like the first one as much as I has hoped. It is still a good listen, but I think the following track is a hell lot better. This song does however, keep a good pace but progressively changes sound 3 to 4 times throughout.

The third track, "Lobotomy Please" is my favourite on this album. For starters, it's a nice long track and if you enjoy the whole thing and not get bored or distracted by butterflies whilst it's playing, then you know you're onto something brilliant. I also found myself thinking back to my point. it's instrumental, yet vocals couldn't keep up and would therefore ruin this fine piece of craftsmanship.

I think this is the point where you go out and buy "Balor's Eye".

The next three tracks which completes the 6 track album, are good. I enjoyed them a lot. I listened to them a few times and defiantly decided they are good. I recommend listening buying the album purely for "Pissing Rainbows" and "Lobotomy Please".

Bloodtribe “Repulse”

I had never heard of Bloodtribe before I was asked to review them and I have one question. “Why the hell was I not told about them before now?” I was actually a little annoyed by the lack of sharing throughout the metal scene. So, here I am telling you about Bloodtribe, and I assure you, you’re going to want to listen to them.

I was sent the album “Repulse” in the post and was quite excited when I opened my package. I immediately played it and the second it finished, I was already uploading it onto my iPod and throwing it in a playlist with “Bloodbath” and “Cannibal Corpse”. This 5 track E.P. is quite simply astonishing. It has deep growling vocals which, if turned up loud enough, could shake the very foundations in which you stand upon.

With Drew on vocals, Tom and Danny on guitar, Clay drumming and Matt on bass, they have formed a band which could rip the head off your staggering body. Bloodtribe proves that they have practiced and conquered their sound because I can’t help but listen from start to finish whenever I hear them.

The first song on “Repulse” is “Reflections”. My favourite by far and slowly becoming one of the highest played songs I have in my collection. This song is phenomenal. I enjoy the dark intro which introduces the drumming brilliantly. There is no beating around the bush with Drew’s vocal work. He’s straight into the savage vocals and some great, memorable vocals. “Reflection of your imperfections double in numbers as your body decays”. I love this track. Listen to it now or else.

“Manipulated Sexuality” is interesting. The intro contained a lot of symbol work which I wasn’t expecting and didn’t really think much of it. I was then getting into the mind-frame that “Repulse” would only have one decent song. Luckily, I was wrong. This song has some duel vocals with the heavy shouting vocals which we all love, but it also had screaming and strained vocals which was an awesome mix. “Manipulated Sexuality” also contains a great breakdown which I recommend that you indulge yourself in.

The third song is only 2 minutes 20 seconds which I thought was rather short considering how awesome the song is. There is a great opening verse in “A Scar for Every Sin” which is quickly paced and savage. You’ll be aware of the terrific drumming almost immediately. This song is just immense.

“Force Fed Suffering” is pure chaos. 30 seconds in and you can already feel a sense of an evil doom creeping down, past your ear drums to eradicate any happiness which remains in your soul (In a good way). Seriously, this song is the reason why metalheads exist. Pure suffering and brutality awaits those who listen to this. This song is awesome!

The final song on “Repulse” is smart. I like how it includes good imagery and some personification “From the dawn that dies”. This makes it easier to picture and as a result, makes this song memorable. It also contains some contrasting vocals and music to go with it. At one point you’ll have a heavy yet slow style of metal but in a seconds notice, we will be listening to a double bass pedal, quick riffs and a screamo vocal style. Love it!

If you hadn’t noticed, I really enjoyed “Repulse” and all of its content. Pure heavy metal here which I cannot fault. You’ll catch the “Bloodtribe Bug” the second you get into Drew’s vocals. Oh, and there is no cure, so good luck.

"Shark Bites and Lightning Strikes" by Loss of Reaso

Loss of Reason is a five-member band who are raising the standards of metal everywhere. Ian Tobey/Vocals, Chris Love/Guitar, Clarence Freeman/Guitar, Ryan Ware/Bass, Andrew Hess/ Drums have made an EP, “Shark Bites and Lightning Strikes”, that is astonishing and just plain savage. Their influences vary from “Rage Against The Machine” and “God Forbid” to bands such as “Muse” and “Eric Johnson”.

The opening track, “I’m an F.18, bro”, is a great intro that grabs the attention of the listener and encourages them to continue on. It has an enticing melodic sound that, in partnership with its heavy guitar riffs, gives promise of an epic sounding EP. One track in and I was already suggesting Loss of Reason to friends.

“Party, Jannetty, til the Break of Dawn, Michales” introduces Ian Tobey’s contribution to the band as a brilliant vocalist. With his ability to use clean vocals as well as screamo, he has proven to be an essential part of the band. The song itself drew a picture for me. I can easily imagine myself at the front of a crowd, climbing the barrier with the rest of Loss of Reason’s fans. I can just picture myself moshing with the rest of them and enjoying a great performance.

The following two tracks show off this band’s drumming and guitar techniques as well as the level of skill in which they are played. Loss of Reason is competent when synchronising their instruments with vocals. It really gives this band the credentials to be up there with the best.

This EP has already been put onto my iPod but “Helpful Phil” is the most played song out of the six songs which form “Shark Bites and Lightning Strikes”. I just love this song. Its intro is genius without effort but also introduces breakdowns which cause the listener to unknowingly tap their foot and headbang along.

It is always great to finish on a high, which is exactly what Loss of Reason have accomplished. Kurtrusslecrowe is an epic finish to an epic EP. This track alone shows the potential of this band. They show promise and this is one band which I would love to see live on stage.

This EP, in my opinion, is just overall awesome. I have it mixed into my regularly used playlists. They have joined my “Savage” playlist alongside bands such as All That Remains, Dead By April and Bring Me The Horizon. Loss of Reason is one band I will recommend when asked “Name an awesome metal band with dual vocals.”          

"Decades" by Saving October

This is Saving October’s first album that has been released. It is a serviceable first album which I enjoyed listening to. They’re a heavy metal band who deal in a mixture of screaming and heavy vocals backed up by the expected chugging riff-age. They have a memorable guitar riff which is suitably heavy and the foundation of most of their songs. They deploy this style of guitar riff often which at first gives the album a dynamic and cohesive feel, but I thought that perhaps they're over reliance on it smacked of playing it safe. This being their first album it is understandable that they may not want to take risks but this does lead to this effort sound over familiar to anyone who is a fan of the genre.

Saving October consists of 5 members Danny Scythes/Lead Vocals, Seth Cordrey/Guitar, Ross Elliot/Guitar Zane Maxwell/Bass and Patrick Liberatore/Drums. There have been a few switches with band members since they begun in 2009, but all of the members have live show and recording experience. The band has written two EP’s, “Cut your Losses” and “Hail the Captain”. Decades is their first full album that screamo band has produced.

“Striking an Artery” has to be my favourite song on their album. It’s intro is melodic which stood out from the rest of their album. It has Saving October’s preferred riff present and correct within the song but I found that the contrast between it and the melodic side really made this song brilliant.

Another stand out track is “Roger Rabbit What’s Your Habit?” With its double bass and duel vocals this song really kicks the album off and sets out Saving October's stall early. Lyrics like “I need you like I needed sleep” really stood out in this song. They gave out some emotion which worked well with the gloomy guitar, which lasts throughout the song.

Most of Saving October’s song are similar. They all sound the quite similar with one or two standing out tracks, as mentioned. If you enjoy their style of music (Which I do), then there is not an issue, but others may criticise this and be put off. “Infamous” is one that, even though it sounds similar to the others, is a song that can be recognised. Apart from the vocal style, I felt like I could be listening to Pantera. I enjoyed this track because the guitarist and drummer sync. It sounds epic. I highly recommend this song.

Another thing I found with “Decades” is they have a intro and an outro. If you listen to the album from start to finish then you’ll get to enjoy it more. I like the way the radio broadcast bookends the album pulls it together. I am not sure of the broadcast itself, but the fact that the style is there at the beginning and end means that I earns a few bonus points.

“Decades” is an enjoyable album, not a masterpiece, but defiantly a starting point for a band which I would like to see a lot more from. I hope that “Dark Harvest Records” have plans for Saving October.

You can listen to “Decades” by Saving October at http://itunes.apple.com/us/album/decades/id494464869